Title: Winter Woman
Director: KIM Ho-sun
Country of Origin: South Korea
Screening format: Streaming (YouTube)
First viewing? Yes
Notes: Winter Woman was, apparently, the best selling Korean film of the 1970s, based on a popular novel with a rather leftist message (at least for 1970s South Korea). I haven’t read the novel and I won’t pretend to be an expert on that period of Korean history. All I can say for sure is that Winter Woman, especially the first hour, tends to err on the side of confusing. I had to pause the film multiple times to consult a synopsis of the novel in order to understand what was happening on the screen only to find out come the end that Winter Woman the film is only kinda like the novel to the point that, if you changed the title and the character names, someone familiar with both could easily write off any similarities as coincidence. Anyway, the film made Chang Mi-hee a star in Korea, but so much of her performance is overshadowed by an overindulgence in non-diegetic sound (far too much reverb on all narrated segments and a soundtrack alternating between Bach and cheesy 1970s synthesizers). I know the point of the film is, ostensibly, the sexual autonomy of Korean women, which is all well and good, but I can’t help but think that I-hwa’s naïveté sets her up for trouble early on. Twice, she tells a man (different men) “I’ll go anywhere with you”. Not a good idea.