Title: Twilight of a Woman’s Soul
Director: Evgeni Bauer
Country of Origin: Russia
Screening format: DVD
First viewing? Yes
Pre-Revolutionary Russian cinema. It’s interesting to note the stark difference between this and the groundbreaking work of the likes of Eisenstein and Vertov only a decade later. Not that Evgeni Bauer is without his merits. Surely, he is one of the first true masters of cinema. Those familiar with films of this era will note the difference in Bauer’s framing and composition, even in this very early example of his work. Vera is a wealthy but lonely aristocrat who has decided to dedicate her life to helping the poor. On one particular outing, she is raped by an “injured” man who she, in turn, kills. Later, when her new husband learns of these events (on their honeymoon, no less) he leaves her. At least, I think he leaves her. It’s possible she leaves him. The lack of intertitles makes it a little difficult to tell if she is kicked out or decides to leave willingly. What is not unclear is the surprising emphasis everyone seems to place on the sex part of the rape (rather than the crime of it) and the fact that the subsequent murder is, practically, an afterthought. Overall, Twilight of a Woman’s Soul is a film about guilt: Vera’s guilt over her past experiences and her husband’s guilt over treating her with undue harshness. The only ones who appear to experience no guilt are the poor, who are not painted in a good light at all.